About 209 minutes
The Gold Bat — Story, Setting & Ideas
Young Readers Enchanted Adventures
48,051 recorded words. 28 minutes difference from this book's estimate.
View Gutenberg source #6879Before opening The doings of Raffles Haw — Reading Companion, the edition data offers a quick orientation: 41,526 words, 3 hr 1 min estimated reading time, and 5 detected text sections.
The text analysis averages about 16.0 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “England -- Social life and customs -- 19th century -- Fiction,” connecting these edition facts with the source record’s subject description.
Explore this collection
These alternatives are selected using recorded categories and estimated reading time.
About 209 minutes
Young Readers Enchanted Adventures
48,051 recorded words. 28 minutes difference from this book's estimate.
View Gutenberg source #6879About 226 minutes
Young Readers Enchanted Adventures
51,883 recorded words. 45 minutes difference from this book's estimate.
View Gutenberg source #5347About 124 minutes
Young Readers Enchanted Adventures
28,457 recorded words. 57 minutes difference from this book's estimate.
View Gutenberg source #5361Search stored excerpts and compare books → Choose by your preferences →
Choices use stored catalog measurements. Estimates vary with reading speed. A shared category is a catalog label, not a claim that two books have the same argument or literary quality.
Search reads excerpt text stored with this catalog and links to its associated Gutenberg record. The connection is stored in the site database; this tool does not recheck that every excerpt is word-for-word identical to that external record. Excerpt search does not cover every chapter and does not verify historical publication dates.
Catalog snapshot checked: 2026-09-25. Coverage: 95 public books, 95 available source excerpts.
Read the complete public-domain text at its original source.
Read on Project GutenbergThe novel opens with a domestic scene: Laura McIntyre frets that a visitor will not come due to a snowstorm, while her brother Robert sketches by lamplight. Doyle's description of Robert's face—'young and fair and clear cut'—and Laura's 'half-petulant features' establishes them as refined but flawed. The weather, with snow beating against 'cosy red-curtained window,' sets a tone of cozy isolation that will be disrupted by the arrival of Raffles Haw.
The first chapter is titled 'A Double Enigma,' hinting at mysteries surrounding both Haw and the McIntyres. Robert's artistic temperament and Laura's 'thoughtful, humorous eyes' suggest they are observant characters, yet their own weaknesses—a 'suspicion of coarseness' in Robert's mouth, a droop in Laura's lip—hint at vulnerabilities that Haw's wealth may exploit.
The opening chapter introduces the McIntyre siblings in a setting that feels grounded in Victorian domesticity. Doyle lingers on details: the 'brilliant yellow light' of the lamp, the 'great white-limbed elms' outside. This realism contrasts sharply with the fantastical elements to come. Robert's sketch and Laura's fancy-work suggest a life of modest artistic pursuits, yet their conversation about an expected visitor—presumably Haw—creates anticipation.
Doyle's prose is precise: Laura's voice is 'disconsolate,' the wind 'shrieked and whistled.' The siblings' physical descriptions include a telling flaw—a 'slight out-turning and droop of the lower lip' in Laura, and a 'possibility of weakness' in Robert's mouth. These details may foreshadow moral or emotional vulnerabilities that Haw's wealth will test. The chapter ends without Haw appearing, leaving the reader with the 'double enigma' of the title: who is Raffles Haw, and what is his connection to the McIntyres?
In a later excerpt, Raffles Haw reveals his ambitions to Robert. Haw speaks of cutting canals through isthmuses, including finishing the Panama Canal, joining the Forth and Clyde, and even connecting the White Sea to the Gulf of Bothnia. His tone is 'deadly earnest,' and he produces a map marked with blue pencil lines. Robert, meanwhile, struggles to suppress laughter, finding Haw's schemes 'lunacy' yet noting their 'precision and coolness.'
Haw's plans extend to tunneling through the earth, dismissing the idea of molten interior with references to 'barometric pressure' and 'combustible materials.' He claims to have estimates from 'first living engineers' and agents buying up land. This blend of scientific jargon and absurd ambition characterizes Haw as a monomaniac. The exchange highlights a central tension: Haw's wealth enables fantasies that border on the ridiculous, but his earnestness makes them unsettling. Robert's internal conflict—'against his own reason endorsing and speculating over his plans'—mirrors the reader's own response.
The catalog subjects list 'philanthropists' and 'alchemists' as themes, and the excerpts show Haw's wealth as both a tool for grand projects and a source of unease. His canal-cutting plans are framed as 'charities' that are 'cosmopolitan,' yet they also reveal a hubris that may lead to unintended consequences. The chapter title 'The Workings of Wealth' suggests a focus on how money transforms lives, but the excerpts do not yet show its effects on the McIntyres.
Doyle's portrayal of Haw is ambiguous: he is polite, indulgent, and patient with Robert's skepticism, but his obsession with 'helping the human race' through engineering feats hints at a lack of self-awareness. The mention of 'the spread of the blight' in a later chapter title implies that Haw's influence may become destructive. Readers should watch for how Haw's philanthropy affects the McIntyres' personal lives, especially given the siblings' hinted weaknesses.
The table of contents provides a roadmap for the novel's trajectory. Early chapters like 'A Double Enigma' and 'The Tenant of the New Hall' establish mystery and setting. 'A House of Wonders' and 'From Clime to Clime' suggest Haw's global reach. Mid-chapter titles such as 'The Great Secret' and 'A Chemical Demonstration' point to the alchemical core of the plot, while 'A Family Jar' and 'A Midnight Venture' introduce domestic conflict and intrigue.
The later titles 'The Spread of the Blight' and 'The Greater Secret' indicate a turn toward darker consequences. This structure suggests a narrative that moves from wonder to unease, from private enigma to public impact. Readers can use these titles to anticipate shifts in tone and focus. The final chapter, 'The Greater Secret,' implies that Haw's ultimate revelation may be more profound—or more troubling—than the initial mystery of his wealth.
As you read, pay attention to how Doyle balances the fantastical elements of alchemy and immense wealth with the realistic portrayal of the McIntyres' domestic life. The siblings' flaws, hinted at in the opening, may become crucial as Haw's influence grows. The chapter titles offer a reliable guide to the novel's structure, signaling key turns from wonder to blight. Let the precision of Doyle's descriptions—of weather, faces, and schemes—anchor your reading in the tangible world even as the plot ventures into the extraordinary.
Raffles Haw’s sprawling schemes left me oddly restless—all that grand ambition against a homely hearth. I found myself thinking of Thrums instead, where the little minister’s quiet longings ache so much louder than any invention. There’s a tenderness in smallness, I suppose, that grand plans forget. The Little Minister — Story, Setting & Ideas lingered like an old letter I hadn’t meant to reread.
Build a private reading journal entry for this title.